Starstruck

As a kid I was obsessed with awards ceremonies. I would stay up until after midnight in Brisbane, Australia, watching delayed broadcasts of the Golden Globes, the Oscars and the Emmys. I bought VHS tapes of edited highlights from old awards nights, and on the day following each ceremony would buy every newspaper to read the coverage.

Did I admire the filmmakers, actors and editors? Did I enjoy watching talented artists justly rewarded for their work? 

No.

I loved watching the stars. Stars on the red carpet; stars badly delivering poorly written jokes; stars trying out their poker faces upon not winning an Oscar.

Later, I became obsessed with classical music. And I discovered that star-loving doesn’t belong just to popular music and movies. First there were the wacky modern music guys: Boulez, Ligeti, Stockhausen, Ferneyhough. I pored over their hulking, unintelligible, stunningly beautiful scores; I never left the house without a copy of Boulez’s tonality-hating, opera-house-blowing-up “Orientations”; I burned effigies of Shostakovich.

Next came the conductors: Gardiner, Abbado, Fuertwangler, Klemperer, Horenstein. I obsessed over the minutiae of their lives; I bought five different recordings of Fuertwangler conducting Beethoven’s fifth symphony; I trawled back-issues of Gramophone magazines, gawking at photos of “Otto on the beach” or “Claudio hanging with his peeps” as if I were flipping through a copy of National Enquirer while waiting in line at the grocery store.

In 2006, while working for the Tasmanian Symphony Orchestra, I came upon an already hugely popular blog by Alex Ross, the classical music critic at the New Yorker. I found his writing clear, concise but also poetic; the way that he heard music felt very familiar to me; he expressed complex thoughts and feelings such that they communicated to a very broad audience. His style quickly became my touchstone for quality music writing, and his example has greatly influenced the way that I think, write and speak about this weird and confusing thing that 8bb does.

In short: he is a “star”.

And tomorrow I get to meet him.

Comments 1

  1. Adrian wrote:

    Dear 8bb,

    Just a quick note to thank you for the fantastic presentations at KSU yesterday. The folks at KSU kindly invited other schools to attend, and I was able to bring four composition students with me to experience the full day, which ended with a lively discussion in the car on the way back to Athens (lengthened by the inevitable Atlanta traffic). Seeing how you interact, practice, and think about your music was tremendously insightful. Most of us will make the trip again tonight for the concert.

    Thanks again…

    ….Adrian Childs
    Chair, Composition and Theory
    The University of Gerogia

    Posted 07 Feb 2009 at 11:53 AM

Post a Comment

Your email is never published nor shared. Required fields are marked *