Pulitzer update

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(Above, photos of Steve Reich working with 8bb-ers on the day of Double Sextet’s premiere in Richmond, VA)

You can now listen to an excerpt of Double Sextet by Steve Reich if you click here.

Here are some highlights from the coverage that Reich’s Double Sextet Pulitzer win has received, geared specifically towards articles that mention 8bb:

“As you can hear from the last seven minutes or so of Eighth Blackbird’s performance (the ensemble who commissioned the piece), Double Sextet has the pulsating momentum Reich fans are familiar with, but a greater level of dissonance and a wider expressive range than pieces like Drumming, Six Pianos, or even his 1985 Sextet. Unlike John Adams – some of whose recent music, for me, has atrophied into superficial grandiloquence when he’s tried to use a bigger harmonic palette – Reich’s use of a chromatic as well as consonant chords hasn’t come at the expense of his music’s immediacy or energy. What I’m saying is: I like the sound that Double Sextet makes, and I’m glad that the Steve Reich of today is getting the praise his work merits, and not just a slew of lifetime achievement gongs for his earlier, epoch-making pieces. Here’s to the Double Sextet – and to hearing it in London, I hope, soon.” [We hope so too, Tom!]

Comments 1

  1. Chere Lott wrote:

    Loved your performance today at Colburn.
    Guess I will have to trek on up to Ojai for some more.
    Home town kudos to you guys. (I was born in Chi-town)

    Reich and Hartke ROCK!

    Posted 26 Apr 2009 at 9:36 PM

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